FOR CELLISTS: AMATEUR, ASPIRING ............... AND CURIOUS

Celloblog Homepage

Former UK prime minister Winston Churchill declared: “when I die and go to heaven, I want to spend the first million years painting – so I can get to the bottom of the subject.

Rather than waiting such a long time, this “Celloblog” is a living attempt to both understand and explain as well as possible the complexities of music-making and cello playing. Here, can be found the knowledge, ideas and material – my own and from all other available sources – that have most helped me to improve over the last 35 years as a working cellist and musician. This is the very personal essence of all that I have been able to learn or discover in that time. It is the material that I would have liked to have when I was a young (and not-so-young) student and musician.

The title “Celloblog” is undoubtedly misleading: this is much more of an encyclopedia than it is a blog. The term “blog” is used simply because the material presented here is neither complete nor definitive: this is “work in progress” and always will be. Sometimes the image of a huge three-dimensional jigsaw puzzle, permanently growing both outwards and inwards, seems the most appropriate description! Although this “blog-encyclopedia” might look and feel like a labyrinth, it actually has a very natural form in which two central trunks spread out into increasingly finer branches. The two central trunks are:

INSTRUMENTAL TECHNIQUE             MUSICALITY AND INTERPRETATION

In our cello practice it is very easy to mix up together these two fundamental pillars of our musical competence, in a way that ultimately hinders the development of both. The wonderful italian cellist Enrico Dindo has a very useful idea with respect to the separation (and ultimate fusion) of these two areas. When we start to learn a new piece of music, he encourages us to consider these two areas as being in two entirely separate “rooms”. In one “room”, we work on the piece, at the cello, in a purely “technical” way (without any consideration of the musical aspects). In another “room” – without the cello, but with the score, historical information, our singing voice, recordings etc. – we work on the musical and interpretative aspects. As we gradually get to know the piece better, these two separate rooms become more and more connected until ultimately they fuse into one large room in which a competent execution is combined with a well thought-out interpretation.

As with a tree, each of these two central trunks opens out into a rich network of ever-smaller sub-branches. Sometimes we need to work on the tiniest details of the smallest branches, but even then, we must never lose sight of the trunk. Normally, if the trunk is solid and healthy, the little branches will look after themselves. Certainly, when the trunk is unhealthy, the smallest branches will be the first to show it. And certainly, those tiniest branches (details) are often very revelatory. The following quote is again by Winston Churchill, but Albert Einstein would certainly have been in agreement:

“out of intense complexities, intense simplicities emerge”

As with any manual or reference encyclopedia, choosing in which category to include each subject is sometimes not easy. Just as in life, things often don’t fit neatly into little boxes but rather tend to overlap. Often, the most interesting subjects are the most difficult to classify (categorise). For example, does “Sound” belong in the category of “Technique” or in the category of  “Musicality and Interpretation”? It definitely belongs in ……. both. So it goes into the big basket of everything that doesn’t fit neatly in either of these two main categories. We will call this basket:

MIXED AND MISCELLANEOUS

It is this interconnectedness, these overlapping boundaries, that can convert an orderly “tree” type structure into a labyrinth, a spider’s web, or ultimately into a knot. But in fact, the knot is what we start with! In the same way that a philosopher tries to unravel (disentangle) the existential problems of life, this “Celloblog” tries to unravel the problems (both practical and existential) of cello playing.

One of the many wonderful things about “publishing” on Internet is that there is no space limitation, so that the same subjects can appear simultaneously in several different sections without the “book” weighing 20 kilos and becoming impossible to manage. Cross-referencing also is made easy and instantaneous with the click of a mouse. Throughout this website, everything that is highlighted on a green background is a link which will open up a new page if clicked on. All downloadable and printable music is designed for A4 size paper, longer and narrower than standard north american “letter” size.

Playing better – making the cello feel easier – is a lifetime occupation, so take your time, and enjoy browsing through this labyrinth of material! I am very much enjoying writing it and I hope you will find it not only useful  …. but also, pleasurable !

**********************************************************************************************

Related articles:

The Instrumentalist as a Highly Skilled Manual Worker