Mozart: D Major Piano Sonata K576: Transcribed For Cello
For the cellofun transcription, this magnificent sonata – Mozart‘s last one for piano – has been transposed down a fifth in order to make it more easily playable. The slow movement is however also offered in its original (high) key of A major. The accompaniment parts are offered in two versions:
- as a simple keyboard score in which the left-hand is normally the same as in the original piano part but the right hand is quite empty because most of its original notes have now been given to the cello. We can fill out for this empty right hand with harmony notes or otherwise adapt these accompaniment parts to any instrument or ensemble
- a version for a second cello, making the entire sonata playable as a cello duo
The slow movement is best accompanied by a harp.
FIRST MOVEMENT: Allegro (“The Hunt” or alternatively “The Trumpet”)
What an exciting, energetic, high-intensity (and demanding) movement this is. With its hyperactive leaping, racing and jumping we could easily imagine large sections of it as circus music for acrobats, jugglers, clowns or even monkeys. Often it is as though the two hands of the pianist are chasing each other at top speed through an obstacle course.
Here is an audio of this movement played on the piano but in our key (down a fifth) by the magnificent Walter Klien. This audio has been slowed down by 10% to bring it closer to a cellist’s speed:
The fifth note of bars 85 and 91 has been raised by a third simply to avoid un-cellistic discomfort. The harmony rests unchanged and this note-change is almost unnoticeable.
Here below is a play-along accompaniment for this movement, played on the piano. A one-bar introduction has been added so that we can know when to start playing:
SECOND MOVEMENT: Adagio
Here below is an audio of the original piano movement played by Walter Klien but transposed down a fifth into the cello key:
The “accompaniment” for this movement is very simple, consisting of the simple harmonies (filled out) that are left in the piano part after the cello has stolen all the melodic lines. This accompaniment could be played on the piano or guitar (just a simple strum) but is incomparably beautiful when played on the harp. The original piano part can be downloaded from imslp.org.
Here is the sheet music in our cello key, transposed down by a fifth:
- Edited Version
- Clean Version
- Easier Version
- Accompaniment Score
And here is an audio of the play-along accompaniment, played on the harp:
Here below is an audio of the original piano sonata movement, played in the original key by Walter Klien:
THIRD MOVEMENT: Allegretto (Rondo)
This is a virtuoso movement for all players (and for both hands of the piano) because of the speed of the 16th-note triplets which start in bar 9 and fill 112 of the remaining 172 bars of the movement. Hard to play on the piano, these are even more difficult on the cello which is why the following recording on the piano is slowed down to 85% of the pianist’s (Walter Klien’s) original speed. At this slower speed we might just be able to play along with the piano but there is no way that we cellists could play it at his original speed.
Unfortunately, if our tempo is chosen to be comfortable with the 16th-note triplets, the opening theme can sound a little too slow.
- Cello Part (Pianist’s Right Hand)
- Accompaniment Score
- Cello Duo Score
- Accompaniment Part For Second Cello (Pianist’s Left Hand)
- Violin and Cello Duo Score
- Violin Part (Pianist’s Right Hand)
- Viola and Cello Duo Score
- Viola Part (Pianist’s Right Hand)