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Celloblog
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- - - Miscellaneous Left Hand
- - - - Left-Hand Finger Spacings
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- - - - Fourth Finger
- - - - Fingering
- - - - Fifths
- - - - Contractions/Snakes
- - - - Harmonics
- - - - Left Hand Pizz
- - - - Trills etc
- - - - Chromatics
- - - - Transposition as a Practice Technique
- - - Cello/Hand Size
- - - Extensions
- - - - Different Extd Postures
- - - - Shifting and Extns
- - - - Lighten the Load
- - - - Extns in Different Fingerboard Regions
- - - - Double-Extensions
- - - - Other Extns
- - - Finger-String Contact
- - - - Tips/Pads/Elbow Height
- - - - Finger Pressure
- - - - Articulation
- - - Positional Sense
- - - Fingerboard Regions
- - - - Neck Region
- - - - Intermediate Region
- - - - Thumb Region
- - - Shifting
- - - - The Glissando
- - - - Finger Choreography
- - - - - Same-Finger Shifts
- - - - - Assisted Shifts
- - - - - Scale/Arpeggio Shifts
- - - - Shifting and the Right Hand
- - - - Shifting During Open String
- - - - Shifting to Another String
- - - - Whole-Hand and Non-Whole-Hand Shifts
- - - Left Hand Warmup
- - - Thumbposition
- - - Doublestops and Chords
- - - - Shifting Doublestops
- - - Left Hand String Crossings
- - - Vibrato
- - Right Hand
- - - Pizzicato
- - - - Slow Pizzicatos
- - - - Arco/Pizzicato Changes
- - - - Fast and Mixed Hands Pizzicatos
- - - Bowhold
- - - The Wrist
- - - Bow Changes, Starts, and Stops
- - - - Portato, Flying Staccato, and Hooked Bowings
- - - Bow Speed, Pressure etc
- - - - Pressure
- - - - Speed
- - - - Contact Point
- - - - Hair Tension, Angle etc
- - - Bow Trajectory
- - - - On String
- - - - In Air
- - - String Crossings
- - - - 2 Strings
- - - - 3 Strings
- - - - 4 Strings
- - - Bouncing Bow
- - - Choosing Bowings
- - - Right Hand Warmup
- - Coordination and Fast
- Musical Language
- - Ear Training (Pitch)
- - Rhythm
- - - Dotted Rhythms
- - - Rushing
- - - Sing-Speak ?
- - - Tuplets and Strange Rhythms
- - Style and Epoch
- - - Baroque and before
- - - Classical
- - - Romantic
- - - Modern
- - Articulations (Right-Hand)
- - Sound, Resonance, and Acoustics
- - Reading Problems
- - - Reading Problems: Pitch
- - - Reading Problems: Rhythm
- - Phrasing
- - Articulations
- Musicality-Interpretation
- - Psychology
- - Phrasing
- - Articulations
- - Urtext?
- - Playing from Memory
- - Chamber Music
- Miscellaneous
- - Tuning and Basic Warmup
- - Practice
- - Breathing
- - Pedagogy
- - Instrument, Bow and Setup
- - Amateur-Pro ?
- - Musician’s Injuries
- - Orchestral Playing
- - Interesting Websites
Home
Repertoire Library
Formal (“Classical”)
Historical Period
Renaissance
Baroque
Classical Period
Romantic
Post-Romantic
Genres
Opera
Songs (Lieder)
Violin or Viola
Piano
Other
Popular
Traditional/Folk
Eastern Europe
Gypsy
Klezmer
Folk
Other
Light Classical
Films
Operettas
Shows
Vienna
Kreisler
J. Strauss
Others
Pop
The Beatles Transcribed For Cello
Ballad
Dance
Reggae
Other
Jazz
Brasil: Bossa Nova
Rock
Region
Germany and Austria
Italy
France and Belgium
Russia and USSR
Central, East and Southeast Europe
Spain and Portugal
USA
UK and Ireland
Latin America
One Unaccompanied Cello
Two or More Cellos
Cello Duos
Cello Trios
Cello Quartets
Music for 5 or More Cellos
Celloblog
Technique
Basic Principles
Tension/Relaxation
Anticipation (Preparation)
Strength/Flexibility/Stability
Body Language
Control/Overcontrol
The Contact Principle
Claws or Paws ?
The Invisible Thumbs
Seating Posture
The Chair
The Spike (Endpin)
Left Hand
Miscellaneous Left Hand
Left-Hand Finger Spacings
First Finger
Fourth Finger
Fingering
Fifths
Contractions/Snakes
Harmonics
Left Hand Pizz
Trills etc
Chromatics
Transposition as a Practice Technique
Cello/Hand Size
Extensions
Different Extd Postures
Shifting and Extns
Lighten the Load
Extns in Different Fingerboard Regions
Double-Extensions
Other Extns
Finger-String Contact
Tips/Pads/Elbow Height
Finger Pressure
Articulation
Positional Sense
Fingerboard Regions
Neck Region
Intermediate Region
Thumb Region
Shifting
The Glissando
Finger Choreography
Same-Finger Shifts
Assisted Shifts
Scale/Arpeggio Shifts
Shifting and the Right Hand
Shifting During Open String
Shifting to Another String
Whole-Hand and Non-Whole-Hand Shifts
Left Hand Warmup
Thumbposition
Doublestops and Chords
Shifting Doublestops
Left Hand String Crossings
Vibrato
Right Hand
Pizzicato
Slow Pizzicatos
Arco/Pizzicato Changes
Fast and Mixed Hands Pizzicatos
Bowhold
The Wrist
Bow Changes, Starts, and Stops
Portato, Flying Staccato, and Hooked Bowings
Bow Speed, Pressure etc
Pressure
Speed
Contact Point
Hair Tension, Angle etc
Bow Trajectory
On String
In Air
String Crossings
2 Strings
3 Strings
4 Strings
Bouncing Bow
Choosing Bowings
Right Hand Warmup
Coordination and Fast
Musical Language
Ear Training (Pitch)
Rhythm
Dotted Rhythms
Rushing
Sing-Speak ?
Tuplets and Strange Rhythms
Style and Epoch
Baroque and before
Classical
Romantic
Modern
Articulations (Right-Hand)
Sound, Resonance, and Acoustics
Reading Problems
Reading Problems: Pitch
Reading Problems: Rhythm
Phrasing
Articulations
Musicality-Interpretation
Psychology
Phrasing
Articulations
Urtext?
Playing from Memory
Chamber Music
Miscellaneous
Tuning and Basic Warmup
Practice
Breathing
Pedagogy
Instrument, Bow and Setup
Amateur-Pro ?
Musician’s Injuries
Orchestral Playing
Interesting Websites
The Beatles: Eleanor Rigby
Edited Version
Clean Version
https://cellofun.eu/wp-content/uploads/2021/09/eleanor-rigby.mp3
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