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REPERTOIRE LIBRARY
    Formal (“Classical”)
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    Films
    Operettas
    Shows
    Vienna
    Kreisler
    J. Strauss
    Others
    Pop
    Beatles
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    Dance
    Reggae
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    Bossa Nova
    Rock
    Region
    Germany and Austria
    Italy
    France and Belgium
    Russia and USSR
    Central, East and Southeast Europe
    Spain and Portugal
    USA
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    Instrument Combination
    One Unaccompanied Cello
    Cello Solo + Accomp
    Two or More Cellos
    Cello Duos
    Cello Trios
    Cello Quartets
    Music for 5 or More Cellos
    Other Duos With Cello
CELLOBLOG
    Technique
    Basic Principles
    Tension/Relaxation
    Anticipation (Preparation)
    Strength/Flexibility/Stability
    Body Language
    Control/Overcontrol
    The Contact Principle
    Claws or Paws ?
    The Invisible Thumbs
    Seating Posture
    The Chair
    The Spike (Endpin)
    The Shoulders
    Left Hand
    Miscellaneous Left Hand
    Finger Spacings
    First Finger
    Fourth Finger
    Fingering
    Fifths
    Contractions/Snakes
    Harmonics
    Natural
    Artificial
    Left Hand Pizzicato
    Trills etc
    Chromatics
    Transposition as a Practice Technique
    Cello/Hand Size
    Extensions
    Different Extd Postures
    Shifting and Extns
    Lighten the Load
    Extns in Different Fingerboard Regions
    Double-Extensions
    Other Extns
    Finger-String Contact
    Tips/Pads/Elbow Height
    Finger Pressure
    Articulation
    Positional Sense
    Fingerboard Regions
    Neck Region
    Intermediate Region
    Thumb Region
    Shifting
    The Glissando
    Finger Choreography
    Same-Finger
    Assisted
    Scale/Arpeggio
    Shifting and the Right Hand
    Shifting On Open String
    Shifting to Another String
    Whole-Hand and Non-Whole-Hand Shifts
    Left Hand Warmup For Cellists
    Thumbposition
    Repertoire Compilations
    Doublestops and Chords
    Shifting Doublestops
    Left-Hand String Crossings
    Vibrato
    Right Hand
    Pizzicato
    Slow Pizzicatos
    Arco/Pizzicato Changes
    Fast and Mixed-Hands
    Bowhold
    The Wrist
    Bow Changes, Starts, and Stops
    Bow Starts
    Bow Changes
    Portato, Flying Staccato, and Hooked Bowings
    Bow Speed, Pressure etc
    Pressure
    Speed
    Contact Point
    Bow Division
    Hair Tension, Angle etc
    Bow Trajectory
    On String
    In Air
    The Retake as A Bowing Technique
    String Crossings
    2 Strings
    3 Strings
    4 Strings
    Chords
    Leaps
    Bouncing Bow
    Choosing Bowings
    Bow Division
    Hooked, Portato, Flying
    Unbalanced Figures
    Reverse Bowings For Cellists
    Tremolo
    Right Hand Warmup
    Coordination and Fast
    Musical Language
    Pitch (Ear Training)
    Rhythm
    Dotted Rhythms
    Rushing For Musicians: The Panic Response
    Rubato and Rhetoric
    Tuplets and Strange Rhythms
    Reading Problems
    Pitch Reading Problems
    Rhythm Reading Problems
    Style and Epoch
    Baroque and before
    Classical
    Romantic
    Modern
    Sound, Resonance, and Acoustics
    Phrasing in Music
    Articulations
    Interpretation
    Psychology
    Phrasing
    Rubato and Rhetoric
    Articulation
    Urtext?
    Freedom-Obedience ?
    Playing from Memory
    Chamber Music
    Miscellaneous
    Tuning and Basic Warmup
    Practice
    Breathing
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    Amateur or Pro ?
    Musician’s Injuries
    Orchestral Playing
    Interesting Websites
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REPERTOIRE LIBRARY
    Formal (“Classical”)
    Historical Period
    Renaissance
    Baroque
    Classical
    Romantic
    Post-Romantic
    Genres
    Opera
    Songs (Lieder)
    Violin or Viola
    Piano
    Other
    Popular
    Traditional/Folk
    Fiddle Tunes
    Folk Songs
    Light Classical
    Films
    Operettas
    Shows
    Vienna
    Kreisler
    J. Strauss
    Others
    Pop
    Beatles
    Ballad
    Dance
    Reggae
    Other
    Jazz
    Bossa Nova
    Rock
    Region
    Germany and Austria
    Italy
    France and Belgium
    Russia and USSR
    Central, East and Southeast Europe
    Spain and Portugal
    USA
    UK and Ireland
    Latin America
    Instrument Combination
    One Unaccompanied Cello
    Cello Solo + Accomp
    Two or More Cellos
    Cello Duos
    Cello Trios
    Cello Quartets
    Music for 5 or More Cellos
    Other Duos With Cello
CELLOBLOG
    Technique
    Basic Principles
    Tension/Relaxation
    Anticipation (Preparation)
    Strength/Flexibility/Stability
    Body Language
    Control/Overcontrol
    The Contact Principle
    Claws or Paws ?
    The Invisible Thumbs
    Seating Posture
    The Chair
    The Spike (Endpin)
    The Shoulders
    Left Hand
    Miscellaneous Left Hand
    Finger Spacings
    First Finger
    Fourth Finger
    Fingering
    Fifths
    Contractions/Snakes
    Harmonics
    Natural
    Artificial
    Left Hand Pizzicato
    Trills etc
    Chromatics
    Transposition as a Practice Technique
    Cello/Hand Size
    Extensions
    Different Extd Postures
    Shifting and Extns
    Lighten the Load
    Extns in Different Fingerboard Regions
    Double-Extensions
    Other Extns
    Finger-String Contact
    Tips/Pads/Elbow Height
    Finger Pressure
    Articulation
    Positional Sense
    Fingerboard Regions
    Neck Region
    Intermediate Region
    Thumb Region
    Shifting
    The Glissando
    Finger Choreography
    Same-Finger
    Assisted
    Scale/Arpeggio
    Shifting and the Right Hand
    Shifting On Open String
    Shifting to Another String
    Whole-Hand and Non-Whole-Hand Shifts
    Left Hand Warmup For Cellists
    Thumbposition
    Repertoire Compilations
    Doublestops and Chords
    Shifting Doublestops
    Left-Hand String Crossings
    Vibrato
    Right Hand
    Pizzicato
    Slow Pizzicatos
    Arco/Pizzicato Changes
    Fast and Mixed-Hands
    Bowhold
    The Wrist
    Bow Changes, Starts, and Stops
    Bow Starts
    Bow Changes
    Portato, Flying Staccato, and Hooked Bowings
    Bow Speed, Pressure etc
    Pressure
    Speed
    Contact Point
    Bow Division
    Hair Tension, Angle etc
    Bow Trajectory
    On String
    In Air
    The Retake as A Bowing Technique
    String Crossings
    2 Strings
    3 Strings
    4 Strings
    Chords
    Leaps
    Bouncing Bow
    Choosing Bowings
    Bow Division
    Hooked, Portato, Flying
    Unbalanced Figures
    Reverse Bowings For Cellists
    Tremolo
    Right Hand Warmup
    Coordination and Fast
    Musical Language
    Pitch (Ear Training)
    Rhythm
    Dotted Rhythms
    Rushing For Musicians: The Panic Response
    Rubato and Rhetoric
    Tuplets and Strange Rhythms
    Reading Problems
    Pitch Reading Problems
    Rhythm Reading Problems
    Style and Epoch
    Baroque and before
    Classical
    Romantic
    Modern
    Sound, Resonance, and Acoustics
    Phrasing in Music
    Articulations
    Interpretation
    Psychology
    Phrasing
    Rubato and Rhetoric
    Articulation
    Urtext?
    Freedom-Obedience ?
    Playing from Memory
    Chamber Music
    Miscellaneous
    Tuning and Basic Warmup
    Practice
    Breathing
    Pedagogy
    Instrument, Bow and Setup
    Amateur or Pro ?
    Musician’s Injuries
    Orchestral Playing
    Interesting Websites
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