Time Spent in the Different Fingerboard Regions

On this page we will look at different pieces of standard cello repertoire to see just how much time we spend in each of the different fingerboard regions. We will also look at how much time we spend in thumbposition (all regions combined) in each piece. We have considered the different fingerboard regions as follows:

The timings are of course very approximate, as they depend very much on our choice of fingerings, most notably on how much we prefer to stay up high, playing “across” the strings (very often using the thumb) in the different passages rather than running up and down one string. Our choice of fingerings in this sense is very influenced by the style of the music we are playing: whereas soaring singing legato Romantic music often wants to be played on one string with loads of glissandi shifts, a lot of Baroque and Classical period music can sound better – and certainly “cleaner” – played “in position” across the strings without all those romantic shifts (see Fingerings In Thumbposition: Across Strings or Up and Down?) When in doubt, fingerings using the higher positions (staying up high and going across the strings in thumbposition) have been favoured.

The relative proportion of time spent in each region is calculated as a percentage of total cello playing time rather than as a percentage of the total duration of the piece. This is because in some pieces, most notably concertos, the cello has long periods when it is not actually playing.

This information is presented in table form and in chronological order.