FOR THE CURIOUS CELLIST

Syncopations

THE TECHNICAL ASPECT

Simple metronomic exercises to establish the mathematical correctness of our syncopated rhythms are a very dry (but efficient) first stage in getting familiar and comfortable with syncopations. For a very pleasant next stage, we could play music from the “popular” genres (such as Ragtime, Pop, Jazz and Bossa Nova). In this music, syncopations are normally much more common than in most “Classical” pieces, and syncopated notes may even be more common than notes that actually fall on the beats.

It might help to start with the “square” versions of a piece before moving on to progressively more syncopated versions. The following examples illustrate this progression with some songs by The Beatles:

square and swing new

See also “Fast Playing: The Importance of the Beat

THE EMOTIONAL ASPECT

Syncopations are the ultimate laid-back “antifascist” rhythms. Playing between the beats (rather than on the beats) is equivalent to writing between the lines. Syncopation is the opposite of “toeing the line”, of military discipline and clarity. It gives, on the contrary, a beautiful, relaxed, cool, flowing expressivity and sentimental freedom to the music. How many military marches use syncopations ? None that I can think of. Imagine soldiers trying to march to war to the music of Bossa Nova, Jazz, Pop, Disco, The Beatles etc !! Instead of striding forth with perfect order, discipline and determination, the soldiers would inevitably loosen up, dance, lose their aggressivity and end up having a picnic with the opposing forces!!! It’s not surprising that most “philosophical” music (music that searches for a deeper, more intimate humanity) such as Jazz, the Beatles, Schumann and other “Intimate Romantics”, Bossa Nova and even most Pop music, is full of syncopations.

And let’s not forget that we owe all this 20th-century syncopation -with all the joy and loosening-up that it brings – to the Afro-American influence. Scott Joplin, with his invention of Ragtime – a sort of fusion of African rhythms with classical harmony – planted the seed that would later develop into Big Band, Jazz, Pop, Rock, Rhythm-and-Blues, Bossa Nova etc and all of the most exciting musical developments of the 2oth-century.